Video

Devine Lie now have a You Tube page and we have just finished our first videos - these are all tracks from our upcoming CD, My Blood Runs Cold.

As you can see from the videos, Nigel played a lot of the synthesizer parts on his trusty Yamaha CS1X.

The CS1x was Yamaha's first Analog Emulation performance keyboard for musicians . It's a digital synthesizer that emulates analog style, sounds and controls. All controls and parameters are real-time and MIDI controllable. As well as a superb set of quality synth bass, pads, voices, leads and arpeggiated sequences there are plenty of amazing drum sounds also with analog sound and control.

Most of the rest came from his Oberheim OB12 and his Sequential Circuits Multi-Trak

Oberheim OB12

The OB-12 is a 12 voice synth with 4-part physical modeling synthesis. Loads of real-time knobs (22), sliders (24), and buttons (33) with a traditional layout give you fast hands-on access and control of most parameters. Extra hands-on goodies include a ribbon controller, pitch bend and modulation wheel. Aside from great analog sounds, the OB-12 has an amazing set of hi-tech features! The OB-12 features a high quality LCD display that actually draws out all of the parameters you are changing. There are on board 5-band graphic & parametric EQ, ADSR's with delay time and double decay. An addictive Motion Recorder and manual or auto oscillator morphing for animated sounds or effects. Phrase Recorders and Arpeggiators with Independent tempo controls and 5 dedicated buttons are on-board with plenty of features and are MIDI syncable. There is also an extensive effects section that give you reverbs, delays, chorus and lots of overdrive algorithms.

Sequential Circuits Multi-trak

Sequential's MultiTrak had everything and to this day, it still sounds great! During the era of the Roland Juno synths, Sequential overhauled their programmable little SixTrak analog sequencer synthesizer and came up with the MultiTrak. It's a six voice analog synth with sophisticated filters, envelopes, modulation capabilities and built-in sequencing. As was the developing trend around this time in the mid-eighties, programming was being streamlined into using the buttons on the matrix keypad to assign parameters to a rotary knob. (The only dedicated knobs are for sequencer volume and speed, chorus depth and rate, master tune and volume.) There are 99 memory patches for your analog sound creations. It also features a nice arpeggiator with hold and transpose functions. But lying at its heart is a sophisticated (for 1985) onboard sequencer. It could store up to four polyphonic sequences with a metronome, 1600 note memory, an overdubbing mode and quantizing (autocorrect) functions, individual track volume and speed controls. Sequences could be chained together and patches could be changed on the fly. Sequences are recorded in real-time

David also used a different microphone on all his vocals for the new CD. For the first time David used a Sontronics microphone routed through an Avalon pre amp.